seinfelt:

Elaine gets a new pair of heels that make a pleasing clicking sound when she walks. Whenever she passes Peterman’s office, he can’t help but start drumming with his fingertips on whatever objects are within reach. Others in the office are moved to similar rhythmic fits. Soon, each of Elaine’s footsteps is accompanied by a thunderous percussion ensemble.

Kramer learns to play the spoons, and starts experimenting with different sizes. Eventually, he finds what he feels is the “perfect spoon tone”. The vibrations from the sound match the resonant frequency of his bones, which become increasingly deformed and twisted as he plays.

Jerry does a show at an enormous, oddly-shaped venue. The resulting echo transforms everything he says into something entirely different every seven rows, leaving alternating sections of audience responding in wildly varying ways to his jokes — some offended, some laughing, some bored, and others moved to tears.

Elaine’s office debuts on Broadway. Their opening night is lauded by critics, but their performance is upstaged by Kramer’s mangled, deformed body in the third row, beautifully and helplessly clattering his spoons along with Elaine’s footsteps.

George dates a woman whose voice sounds exactly the same as his own.

(via blogocentrism)